Sofia Coppola Retrospective (Film Rankings from Worst to Best)
Sofia Coppola is one of the most artful and creative filmmakers working today, her work has a wide range of different genres and tones that always end up transcending itself [...]
Nomadland
Chloe Zhao's "Nomadland," the filmmaker's follow-up to "The Rider," is every bit as a emphatic and deeply complex character study as her previous endeavor. Zhao's third feature, which recently played [...]
On the Rocks
Sophisticated and charming, "On the Rocks," Sofia Coppola's appealing feature is her most lighthearted and accessible film to date, a bittersweet screwball comedy told consistently from the point of view [...]
Antebellum
Antebellum, the directorial debut from filmmaking duo Gerard Bush and Christopher Renz, opens with a quote from William Faulkner; "The past is never dead. It's not even past." A fitting [...]
The Devil All the Time
Antonio Campos's "The Devil All the Time" is his fifth feature, following the critically acclaimed "Christine" and the artfully made, "Simon Killer." This is without a doubt Campos's most ambitious [...]
Lingua Franca
Authentic transgender driven films are rarely featured as genuine or as honestly as Isabel Sandoval's "Lingua Franca", the latest intimate and emotionally raw indie film which is one of the [...]
I’m Thinking of Ending Things
Easily the most cerebral, misanthropic, slightly flawed, yet liberating of Charlie Kaufman's work, "I'm Thinking of Ending Things" blends the limits of surrealism and horror into a feature-length drama that [...]
Mulan (2020)
Niki Caro's lavish spectacle "Mulan" is a live action remake to the impressive 1998 Disney animated film of the same time title, which was a critical and commercial success not [...]
Tenet (Noah’s Take)
Christopher Nolan's infatuation with the inner workings of time has been at the forefront of his filmography since his very first feature, 1998's Following, a film told out of order. [...]
Tenet (Robert’s Take)
With "Tenet," the most eagerly awaited film during the current COVID-19 era, Christopher Nolan's 11th feature film anchors the current state of cinema that now mainly consists of virtual cinema [...]