Primetime
Lance Oppenheim's Primetime is a biting, deeply unsettling film that operates as a razor-sharp satire, a suffocating dark comedy in the vein of Gus Van San'ts To Die For, and [...]
Lance Oppenheim's Primetime is a biting, deeply unsettling film that operates as a razor-sharp satire, a suffocating dark comedy in the vein of Gus Van San'ts To Die For, and [...]
Na Hong-jin’s Hope marks the celebrated director’s long-awaited return, arriving a full ten years after his highly impressive and much celebrated 2016 horror thriller The Wailing. Known for his unmatched [...]
Paul Greengrass returns to historical conflict with The Uprising, delivering yet another iteration of the legend of Robin Hood, though he notably avoids ever uttering the iconic hero's name. Instead, [...]
With the completion of our 1990 retrospective, De Facto Film Reviews officially marks a major milestone: our archived Top 10 lists now stretch back through every single year of the [...]
Ridley Scott remains astonishingly prolific, churning out scale-driven features with a relentless momentum that puts directors half his age to shame. His latest entry, The Dog Stars, marks another foray [...]
Jane Schoenbrun’s Teenage Sex and Death at Camp Miasma is a brilliant, deeply personal, and metatextual tribute to '80s slasher cinema. Like I Saw the TV Glow, Schoenbrun uses dark [...]
Kent Jones has made one of the most organic transitions in contemporary American cinema. Moving from esteemed film critic and scholar to co-writing Martin Scorsese's My Voyage to Italy film [...]
Legendary indie auteur Gregg Araki’s latest erotic dark comedy, I Want Your Sex, may lack the dreamlike surrealism of his earlier work, but it taps directly into the central obsession [...]
With Her Private Hell, Danish visionary director Nicolas Winding Refn continues the slow-burn, neon-bathed, abstract genre filmmaking he began shaping with 2013's polarizing Only God Forgives. Marking his long-awaited return [...]
Christopher Nolan’s adaptation of Homer’s ancient Greek story, The Odyssey, is nothing short of a cinematic miracle. This is not a sterile, classicized myth preserved in amber; it is a [...]