My Happy Ending

My Happy Ending, a slightly moving but uneven weepie about a fading actress attempting a career comeback as she discovers she has stage-four cancer and may only have a few [...]

Cocaine Bear

Not since Snakes On a Plane has a film title so instantly broadcasted its own brand of simplicity and self-awareness quite like this. As the title so elegantly suggests, this [...]

The Quiet Girl

Colm Bairéad's debut feature marks Ireland's first film to be nominated for Best International Film at the Academy Awards. Bairéad has some family film elements that cross over into a [...]

Of an Age

Coming straight off his artful but uneven art-house horror debut, You Won't Be Alone, which was a period piece set in 19th century Macedonia, Goran Stolevski proves to be quite [...]

Emily

Far from being another musty costume period piece, Frances O'Connor's debut feature, Emily, is more akin to Jane Campion's arthouse dramas and Terence Davies' A Quiet Passion in just how uniquely [...]

Godland

Austere and magnificently bold, Godland marks a continuation of Icelandic filmmaker Hlynur Pálmason's study of troubled masculinity within severely harsh environments. Heretofore his first feature Winter's Brother had a setting [...]

Return to Seoul

Cambodian French filmmaker Davy Chou (Diamond Island) manages to pull off a deeply spirited character study and existential journey with Return to Seoul, a moody and convulsively lyrical yarn about [...]

Baby Ruby

Postpartum depression, a severely important medical condition, is explored with mixed results in Baby Ruby. A film that sadly suffers from endless jump scares and writing issues, as it ends [...]

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