Summer Camp
Summer Camp is a story about three friends who grow up, grow apart and come back together. Or, that is probably how it was pitched and, for the first twenty minutes or so, it really seems to be holding true to that premise.
Summer Camp is a story about three friends who grow up, grow apart and come back together. Or, that is probably how it was pitched and, for the first twenty minutes or so, it really seems to be holding true to that premise.
The innovative slasher In a Violent Nature combines '80s campground thrills with a calculated and somnolent approach to realism, resulting in something truly different.
Atlas, the new Netflix original starring Jennifer Lopez, is a mixed bag. With a strong cast and solid technical achievements, the bones are there to have something special. Yet, uninspired [...]
The Garfield Movie, the most recent adaptation of Jim Davis’s legendary feline, is not the most traditional version of this story or characters yet, in many ways, it just feels [...]
Maverick filmmaker Richard Linklater returns to live-action after his overlooked retro-animated Apollo 10 1/2 with Hit Man, a cleverly scripted romantic action comedy that is highly enjoyable with a charismatic [...]
In the nine years since its release, Mad Max: Fury Road, George Miller's return to his iconic post-apocalyptic Wasteland, has become this titan of the film world. A film plagued [...]
Back to Black, the new film about the life and career of the late singer, Amy Winehouse, is, like too many biographical pictures, a mostly disappointing work. This is not [...]
One of the most refreshing things you realize about Babes is the humor and wit sprinkled with tropes of a buddy movie and cleverly crude humor on relationships, sex, and [...]
Using a cast almost entirely comprised of non-professional actors, aside from the well-regarded French legends who provide the narration, the director, Pierre Creton, has created a work that is unlikely to find a large audience but which is worth sitting down to see.
Far more surrealist and avant-garde in approach than horror, Jane Schoenbrun's sophomore feature, I Saw the TV Glow, is, for better or for worse, going to defy the audience's expectations. [...]