The Dead Don’t Hurt
The Dead Don’t Hurt, the second film directed by Viggo Mortensen, who also produced, wrote, composed the score for and also stars in, is a peculiar western. It is both [...]
The Beast Within
The Beast Within is a technically pleasing dark fable that is sorely missing engaging storytelling prowess.
Deadpool & Wolverine
In the years since the release of 2018's Deadpool 2, the filmmaking landscape, and pop culture as a whole, has drastically shifted for the Superhero genre. The corporate merger between [...]
National Anthem
What could have been an opportunist film filled with queer archetypes and gazes, Luke Gifford's National Anthem instead is a visually poetic, sensually designed, and liberating adventure about the power [...]
Twisters
There's a framed story in Hollywood regarding the original pitch to Aliens, the sequel to Ridley Scott's Alien. Reportedly, James Cameron came into a room with studio execs, went up [...]
Fly Me to the Moon
Fly Me to the Moon, from director Greg Berlanti, is a fantasy concoction of commentary and conspiracy, with heaping helping of romantic comedy, in a creation that fails to fully ignite.
Oddity
Damian McCarthy's sophomore feature, Oddity, unconventionally explores classic themes, delivering a chilling story with plenty of quality scares.
Last Summer
Last Summer, the new film from Catherine Breilat, is based on the 2019 Danish film, Queen of Hearts. The result is a film that takes what Brielat is known for and [...]
Longlegs
The highly-anticipated Longlegs may not quite be what audiences expected, but it is one of the creepiest and most technically sound horror films in recent memory.
Green Border
Agnieszka Holland, the famed Polish director who is perhaps her nation’s best currently active filmmaker, has created both a film and a polemic, with her newest effort, Green Border. This brutally [...]