Scoop
Scoop, from director Philip Martin, seems to want to be She Said, but fails to spark anywhere near the level of excitement, interest, importance or gravity of that earlier film. While [...]
Scoop, from director Philip Martin, seems to want to be She Said, but fails to spark anywhere near the level of excitement, interest, importance or gravity of that earlier film. While [...]
The Listener, from director Steve Buscemi, is an unusual film in the sense that it has only one onscreen character, a woman calling herself “Beth” who works for an unnamed [...]
The Truth vs. Alex Jones, an HBO release, which debuted at South by Southwest on March 11, 2024, is the latest in a long line of strong HBO documentaries, including [...]
The French director Luc Besson (Leon: The Professional, The Fifth Element) is one of the more idiosyncratic film makers working in mainstream movies. His latest work, Dogman, is another unusual [...]
Exhuma, the new film from South Korean director Jang Jae-hyun is a film of many parts, but two halves, and both offer a lot to viewers, though how much depends [...]
Director Doug Liman (Swingers, Go, The Bourne Identity) does not have a track record that indicates he would know better than to have remade Road House, the 1989 cult classic [...]
Hundreds of Beavers is certainly a film. Is it a good film, or an enjoyable one? That may depend on many factors, including your tolerance for the bizarre, zany, and downright, [...]
Club Zero, the latest film from director Jessica Hausner, is a dark comedy thriller satire, except it has no laughs, is utterly boring and does not make you care about [...]
With Driving Madeleine, director and co-writer Christian Caron, has wrought a minor miracle, in terms of striking a balance between comedy and drama, and between philosophy and action, all of [...]