We Grown Now

We Grown Now is the latest independent feature by Minhai Baig, whose previous film Hala was also about youths sorting out their uncertain lives in Chicago. I enjoyed that film, [...]

Infested

The new spider-attack creature feature Infested (Fr. Vermines) is a step away from the nastiest and most depraved of the New French Extremity of the early-to-mid 2000s. However, it effectively [...]

Humane

Humane could have been another Purge, and seems somewhat inspired, if only a bit, by that franchise. That it is not, is a good thing. The film works toward different aims, and [...]

Boy Kills World

Boy Kills World is a pastiche of homages and genres, even forms. The film is packed with some stunning imagery, yet none of it is especially novel or clever. This [...]

Challengers

Luca Guadagnino pivots away from horror films back to romantic dramas that brought him such great notoriety in his earlier work, depicting characters experiencing forbidden love and desire in isolated, [...]

Abigail

Move over, M3gan; there's a new dancing horror princess in town, and her name is Abigail. The latest genre effort from the hit filmmaking collective Radio Silence (directors Matt Bettinelli-Olpin [...]

Stress Positions

Imagine a 95-minute lecture, from someone who isn't quite as insightful as they believe themselves to be. A lecture which is a bit funny at times, occasionally gives you whiplash, [...]

Sasquatch Sunset

Indie filmmaking, brothers. Nathan Zellner and David Zellner (Kumiko, the Treasure Hunter, Damsel), rework their Sundance Award-winning short film Sasquatch Birth Journal 2, and could have easily just left this [...]

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