Two Women
There is a long debate about the need and place for remakes. This reviewer has always argued that even if the original was great, why not remake a story? If [...]
Blue Heron
Blue Heron is a film that is formally daring and emotionally taxing. It is a work about memory and understanding, but it is not about answers or resolution as much as [...]
Kontinental ’25
Kontinental '25 is the latest film from the Romanian director Radu Jude. By comparison to his last three pictures, this one is the most reserved. Yet, it has all the fire, passion, [...]
The Stranger
Francois Ozon’s new film, The Stranger, based on Albert Camus’ famed novel, is a coldly distant film, reflective of its central character. Shot in stark black and white-reminiscent of the recent Ripley series-the [...]
Fantasy Life
Fantasy Life, from writer and director Matthew Shear, who also stars as, in his debut film behind the camera, focuses on the story of a recently fired young legal worker, [...]
Miroirs No. 3
Miroirs No. 3 is a lyrical, unusual work that contains a lot of rich emotions, done in a way where not much seems to happen yet each moment is packed [...]
Louis Theroux: Inside the Manosphere
Louis Theroux: Inside The Manosphere is another presentation from the British documentarian and journalist. This time, he tackles not Jimmy Saville or any single notorious figure, but a movement, and [...]
The Bride!
The Bride! is the new film from Maggie Gyllenhaal. While the film is at times visually audacious, this is a work that could have benefited from less “lets just do [...]
Dreams
Some films come with a message, and others more an intention. Dreams is a film that seems to believe it has both, yet fails to ignite interest. From Michel Franco, who did [...]
Jimpa
Jimpa opens decently well in its first moments, with Olivia Colman as Hannah, an Australian acting teacher and director, preparing to visit her father. She is taking her husband and [...]