The Hand of God
Considerably scaled down in scope and visual energy from his previous Oscar nominated existential films, The Great Beauty and Youth, Paulo Sorrentino's The Hand of God is an artfully crafted [...]
Considerably scaled down in scope and visual energy from his previous Oscar nominated existential films, The Great Beauty and Youth, Paulo Sorrentino's The Hand of God is an artfully crafted [...]
Not since The Force Awakens and Avengers: Endgame has Hollywood gone into such spoiler lockdown mode, and for good reason. Revealing anything beyond what's featured in the marketing would not [...]
In a far darker return to more macabre terrain after his Oscar win for The Shape of Water, Guillermo del Toro still finds his footing in genre filmmaking in the [...]
Though Lucille Ball and Desi Arnaz's stardom has faded in the 30 years since their deaths, Aaron Sorkin's biopic casts the late, iconic duo with some marital dynamics under the [...]
Messy, overlong but also deeply satirical, Don't Look Up plays like an extended SNL skit. Adam McKay's follow-up to Vice, and his most satirical political film yet, amounts to a [...]
Brimming with confident craftsmanship, cynicism, satire, and dramatic weight, Bruno Dumont's ferocious France views France's political climate and mass media through its anti-hero, a French reporter named France (Lea Seydoux), [...]
Steven Spielberg has previously dabbled in the visual rhythms of musical theater -- see the opening of Temple of Doom for a prime example -- but has never made a [...]
Oscar-winner Halle Berry pulls double-duties as director/star in her directorial debut Bruised, a Rocky wannabe that struggles to offer much in terms of nuance or truth in a tired, overlong [...]
A chronicle of grief, healing, and the power of the creative process are all familiar themes we have seen numerous times before, but rarely are they executed with the delicateness, [...]
A provocative and subversive condemnation of dogmatic oppression that is undercut by an overstuffed screenplay and an over-the-top third act with overripe melodrama is all found in Paul Verhoeven's (Robocop, [...]