At Eternity’s Gate
Aesthetically impressive to the eye and fragmented by design, artist and filmmaker Julian Schnabels interior exploration of Vincent Van Gogh's final years of his life is a artful, roving, and [...]
Ralph Breaks the Internet: Wreck-It Ralph 2
by Ben Rothrock In 2012, Disney gave us Wreck-It Ralph; the story of a video game villain who sets out on a journey to prove he can be a hero. [...]
TIFF 2017 Review: mother!
mother! (2017 USA, d. Darren Aronofsky, 121 minutes) 4/4 Stars To quote TIFF Artistic Director, Cameron Bailey, mother! essentially begins where Black Swan ends. If that doesn’t intrigue [...]
Dunkirk
Dunkirk (2017, USA, UK, France, d. Christopher Nolan, 106 minutes) 4/4 Stars I feel as though I should begin this review with a bit of a warning. My [...]
Elle
Elle (2016, France, d. Paul Verhoeven, 130 minutes) by Noah Damron This one of the strangest and most compelling films to come out in 2016. Directed by Paul [...]
La La Land
La La Land (2016 USA, d. Damien Chazelle, 128 minutes) by Noah Damron There is so much to say about La La Land and yet, also very [...]
The Witch
The Witch (2016, USA/UK/Canada, d. Robert Eggers, 93 Minutes) by Jesse Stringer What does it take to make a horror film truly scary? In recent years, it seems [...]
The Lobster
The Lobster (2016, Ireland/Greece/USA, d. Yorgos Lanthimos, 118 Minutes) by Jesse Stringer In a dystopian future, single people are arrested and held by authorities at a luxury hotel. [...]
Son of Saul
Son of Saul (2015, Hungary, d. László Nemes, 107 Minutes) by Jesse Stringer The film opens out of focus. From the depth comes a figure walking toward [...]
The Revenant
The Revenant (2015, USA, d. Alejandro G. Innaritu, 156 Minutes) by Robert Joseph Butler Brutal in depiction, visceral in experience, and visually arresting to endure, The Revenant [...]