Regression
Regression (2016, Canada/Spain, d. Alejandro Amenábar, 106 Minutes) by Jesse Stringer In the early 90’s, there was a sudden outbreak in paranoia over a speculated increase in [...]
Knight of Cups (2016, USA, d. Terrence Malick)
At this moment, it’s apparent visionary Terrence Malick has given up on narrative filmmaking. He has now become a one-trick pony where his distinctive style has sadly reached [...]
Triple 9
Triple 9 (2016, USA, d. John Hillcoat, 115 Minutes) by Jesse Stringer It is learned early on in this film that Triple 9 is a police code meaning [...]
Eddie the Eagle
Eddie the Eagle (2016, USA/United Kingdom, d. Dexter Fletcher, 105 Mins) by Robert Joseph Butler In the opening act of "Eddie the Eagle" the film hints at being [...]
How to Be Single
How to Be Single (2016, USA, Christian Ditter, 110 Minutes) by Robert Joseph Butler Uneven, unromantic, and mostly unfunny, “How to Be Single” is a chick flick that [...]
Deadpool
Deadpool (2016, USA, D. Tim Miller, 108 Mins) by Robert Joseph Butler Based upon Marvel Comics’ most popular and unconventional anti-hero, Deadpool unfolds with a lot of twisted [...]
The Witch
The Witch (2016, USA/UK/Canada, d. Robert Eggers, 93 Minutes) by Jesse Stringer What does it take to make a horror film truly scary? In recent years, it seems [...]
Where To Invade Next?
Where to Invade Next? (2015, USA, d. Michael Moore, 119 Minutes) by Robert Joseph Butler The greatness with Michael Moore is that each of his recent films like Sicko, Capitalism: [...]
Zoolander 2
Zoolander 2 (2016, USA, d. Ben Stiller, 102 Minutes) by Robert Joseph Butler Ben Stiller's Zoolander 2 is a complete waste of time and human effort. At times [...]
The Lobster
The Lobster (2016, Ireland/Greece/USA, d. Yorgos Lanthimos, 118 Minutes) by Jesse Stringer In a dystopian future, single people are arrested and held by authorities at a luxury hotel. [...]