Red Rocket
Sean Baker has done it once again by remarkably delivering another raw and authentic character study related to American subculture and exploration of socio economics, Red Rocket shakes up the [...]
Sean Baker has done it once again by remarkably delivering another raw and authentic character study related to American subculture and exploration of socio economics, Red Rocket shakes up the [...]
Deeply moving, highly engaging, and technically brilliant, Paul Thomas Anderson’s ninth feature, Licorice Pizza, is the most enthralling and thrilling film to be released this year. A chronicle of first [...]
2021 marks a resurgence for many franchises, but like many, they aren't quite as brilliant as before. The same can be said for The Matrix Resurrections, the welcome sequel to [...]
Considerably scaled down in scope and visual energy from his previous Oscar nominated existential films, The Great Beauty and Youth, Paulo Sorrentino's The Hand of God is an artfully crafted [...]
In a far darker return to more macabre terrain after his Oscar win for The Shape of Water, Guillermo del Toro still finds his footing in genre filmmaking in the [...]
Though Lucille Ball and Desi Arnaz's stardom has faded in the 30 years since their deaths, Aaron Sorkin's biopic casts the late, iconic duo with some marital dynamics under the [...]
Messy, overlong but also deeply satirical, Don't Look Up plays like an extended SNL skit. Adam McKay's follow-up to Vice, and his most satirical political film yet, amounts to a [...]
Brimming with confident craftsmanship, cynicism, satire, and dramatic weight, Bruno Dumont's ferocious France views France's political climate and mass media through its anti-hero, a French reporter named France (Lea Seydoux), [...]
A chronicle of grief, healing, and the power of the creative process are all familiar themes we have seen numerous times before, but rarely are they executed with the delicateness, [...]
A provocative and subversive condemnation of dogmatic oppression that is undercut by an overstuffed screenplay and an over-the-top third act with overripe melodrama is all found in Paul Verhoeven's (Robocop, [...]