About Robert Joseph Butler

Robert Butler is an award-winning filmmaker whose most recent feature length movie, "Blood Immortal," won Best Horror Feature Film at the 24th annual Indie Gathering International Film Festival and is now available to own on DVD and on Digital platforms. His favorite films include Mulholland Dr., 2001: A Space Odyssey, Persona, Pulp Fiction, Goodfellas, Sunset Blvd., Lost in Translation, Apocalypse Now, The Godfather, The Godfather: Part II, Citizen Kane, Cries and Whispers, L'Aventura, Do the Right Thing, Fargo, Schindler's List, La Dolce Vita, Pickup on South Street, Nashville, There Will Be Blood, Vertigo, and Contempt.

The Lost Daughter

A dramatically satisfying drama about dissatisfied people attempting to escape from their regrets, The Lost Daughter shows actress-turned filmmaker Maggie Gyllenhaal some impressive strengths that were already evident in her [...]

Memoria

A Scottish woman who travels to Columbia and is suddenly awoken by a loud sonic boom as she sleeps provides the starting point in the astonishing opening scene of Apichatpong [...]

Red Rocket

Sean Baker has done it once again by remarkably delivering another raw and authentic character study related to American subculture and exploration of socio economics, Red Rocket shakes up the [...]

Licorice Pizza

Deeply moving, highly engaging, and technically brilliant, Paul Thomas Anderson’s ninth feature, Licorice Pizza, is the most enthralling and thrilling film to be released this year. A chronicle of first [...]

The Hand of God

Considerably scaled down in scope and visual energy from his previous Oscar nominated existential films, The Great Beauty and Youth, Paulo Sorrentino's The Hand of God is an artfully crafted [...]

Nightmare Alley

In a far darker return to more macabre terrain after his Oscar win for The Shape of Water, Guillermo del Toro still finds his footing in genre filmmaking in the [...]

Don’t Look Up

Messy, overlong but also deeply satirical, Don't Look Up plays like an extended SNL skit. Adam McKay's follow-up to Vice, and his most satirical political film yet, amounts to a [...]

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