de facto film reviews 2.5 stars

Most adults that grew up from the early 90’s to the early 2000’s likely had the 1993 film Hocus Pocus in their Halloweentime rotation. The film, which came from a marriage of the minds between screenwriter/genre filmmaker Mick Garris (Sleepwalkers) and producer David Kirschner (Child’s Play, An American Tail), was released into theaters around the same time as box office juggernaut Jurassic Park and was received with a whimper. However, with each following year, thanks to VHS sales and seasonal television programming, the film continued to gain an audience, ultimately becoming a pop culture staple for the spooky season. Starring the classic trio of bewitching sisters, Winifred (Bette Midler), Sarah (Sarah Jessica Parker) and Mary Sanderson (Kathy Najimy) and their Three Stooges-level of slapstick hijinks as they set out to eat the souls of young children on Halloween night, the film continues to entertain generations of old and new. Naturally, a sequel has been in the works for some time, now bypassing theaters and heading straight to Disney+. The sequel, now in the hands of The Proposal and Step Up director Anne Fletcher, delivers more of what fans of the original hope to see, and does an admirable job of doing so.

It’s been 29 years since the Sanderson Sisters were resurrected for one fateful Halloween night in Salem, Massachusetts and their story continues to be told as an urban legend. Their old home has since become a gift shop with merchandise including replica spell books, costumes and black candles. Teenagers Becca (Whitney Peak, Molly’s Game) and Izzy (Belissa Escobedo, FX’s American Horror Stories) are two best friends in love with everything involving witchcraft, even at the expense of their social status, causing a rift between them and Cassie (Lilia Buckinham), their oldest friend. When the two girls happen to light a new black flame candle, they unwittingly resurrect the Sanderson Sisters. Now, almost 30 years later, the sisters return to run amok — amok, amok, amok —  exact their revenge that’s taken over 300 years in the making.

Reprising their now iconic roles, Bette Midler, Kathy Najimy and Sarah Jessica Parker truly have not lost a step. It feels as though they stepped off the set of the first film and immediately came onto to this one. Hocus Pocus 2 is at its best when it gives its screen time the the trio with their infectious chemistry and uproarious comedic timing. You can sense all three actresses are reveling in their return, as they fully commit to the wacky antics they made these characters so endlessly watchable. The trio make walking through an automatic door an uproarious piece of physical comedy.

Unlike many long-awaited sequels to films released decades prior, this sequel never feels desperate or like a final grasp of relevancy. Sure, there’s an aggressively obvious sequence that serves as a commercial for Walgreens, but it also happens to be one of the funniest sequences in the film. The script, written by Jen D’Angelo (Workaholics, Solar Opposites), avoids lazily retreading nostalgia and doesn’t hammer in callbacks to the original. That’s not to say there aren’t callbacks, some of the best jokes here are wittily updated gags from the first film. We get another musical number where the sisters cast a spell over unsuspecting townsfolk, even the very instant the Sanderson’s are resurrected, they break into song, doing a rendition of Elton John’s “The Bitch is Back” aptly changed to “The Witches Are Back”. However, the film doesn’t go overboard reminding you of what came before and has enough new material to keep things feeling fresh.

The supporting cast is well-utilized without taking the spotlight away from the main attraction. Tony Hale plays the town Mayor, the direct descendent of the Reverend that outed the Sisters back in the 1600’s, who simply wants a candy apple on Halloween. The actor earns his fair share of chuckles, benefitting from an amusing running gag. The young actresses playing the Sanderson’s in an opening flashback are terrific bits of casting with Taylor Henderson (Earwig and the Witch) being a particularly inspired choice as a young Winifred Sanderson. Sam Richardson gets perhaps the shortest end of the stick, playing a character whose own motivations don’t seem to fully add up, even when the film attempts to brush past it. Doug Jones welcomingly returns as the zombified Billy Butcherson, whose presence always delights. You might also be surprised to find the film ends on a rather touching note, with more empathy than expected.

Hocus Pocus 2 is an enjoyable sequel that is quite a bit better than you might be expecting. While not anything particularly new, this is a long awaited sequel that offers enough satisfaction to justify its existence.