de facto film reviews 3 stars

Bob Trevino Likes It is one of those films that sneaks up on you. Drawn from the real life experiences of its writer and director, Tracie Laymon, the film tells the story of Lily, played by Barbie Ferreira. Lily is the only daughter of a widower, Robert Trevino, a narcissist played with stunning believability by French Stewart. After a date with a woman goes horribly wrong, Robert blames his daughter, who, now cut off from her father, goes looking for him on Facebook, but finds a different man with the same name, a construction worker played by John Leguizamo.

Courtesy Roadside Attractions

Having never had a solid relationship with anyone — outside of perhaps the disabled woman for whom she works — Lily takes to Bob, who also takes to her. Theirs is a completely platonic relationship, founded on mutual admiration and need. She craves someone to show her kindness and paternal guidance, while he has a desire to leave some sort of legacy behind, by way of small life lessons. It is, perhaps, a way to make up for a tragic loss.

This is not a film that will push the medium forward in terms of structure or style, but that is fine, because what it does is prove that quality, real life drama-with just a dollop of comedy-is a species of film that yet lives. This begins with the script, which attempts nothing groundbreaking but accomplishes much in terms of building characters we instantly invest in. Our first glimpse of Lily shows how vulnerable she is and we move quickly to learning why she is so hesitant to stand up for herself. Even when we meet unlikable people, we do not wish them gone. We discover enough to understand and want to learn more.

Courtesy Roadside Attractions

In a film about relationships, the actors manage to create believable people who seem to have history. While it feels natural, one hesitates to label this a naturalistic film, though it holds some elements in common with that strain of film. Further, for as much as this has heavy drama about negligent parents and children searching for belonging, there is plenty of humor. It is both a gentle, real humor and a deep, human kind. That this is drawn from real events colors the entire proceedings and caused this reviewer to wonder how much of both were based on what actually happened.

The acting, perhaps more than any other element, is where this film truly shines, and it is not a slight on any other piece of the work. Leguizamo and Stewart have never been better, with Stewart being unrecognizably different in look, voice and manner, to what you have probably become familiar to seeing from him. While you will hate Robert, the biological father, you will also marvel at the way Stewart keeps you hoping that, maybe, this is genuine, but knowing, like Lily, it is fools gold. You will despise him, but you will want to see what happens to him and you will not wish him well. One of recent film’s greatest narcissists.

Leguizamo, as Bob Trevino, is a wonder. While he has proven his chops in films like To Wong Foo and Romeo + Juliet — where he was perhaps the screen’s definitive Tybalt-has never been better. For an older actor, this would be a career capping performance, but it is absolutely the finest, most delicate and full bodied work he has put on screen. You can feel each moment the same way he does, and the love and worry he has for his job and his wife. You will mourn the tragedy of his past and always root for the best for this kind, empathetic soul. Rachel Bay Jones is given a mostly thankless part as Bob’s wife, Jeanie, but she gets a couple great scenes where you see why she has won an Emmy and a Tony throughout her career.

Courtesy Roadside Attractions

Finally, we have Ferreira, who has created one of the most three-dimensional young adults in recent cinema. From the opening moments where she accepts the unacceptable until the final scenes where she shows tremendous growth, she will by turns move you and make you laugh. The sequence with a therapist is a special delight, and comes quite early. She is someone you can see makes mistakes but it is much like a child, desperate to please, eager to be loved and searching for a place to belong. She makes you care, and she makes you root for this unlikely protagonist. Do not miss her and the rest of the cast of this lovely film.

Bob Trevino Likes It is now playing in select theaters.