de facto film reviews 2 stars

Oh, how so much can change in 30 years. Looking back at Steven Spielberg’s original classic, Jurassic Park, it’s amazing just how much wonder came from seeing dinosaurs on the big screen with it’s then revolutionary technology. With that iconic John Williams theme and Spielberg’s incomparable vision, cinema magic truly reached  a new threshold. What followed was a very hit-or-miss array of sequels. To the thrilling, but not great The Lost World: Jurassic Park, to the slight and utterly forgettable Jurassic Park 3, the franchise was sequestered for nearly 15 years. Come 2015, the franchise saw new life with Jurassic World, a flawed, but highly enjoyable blockbuster that broke box office records, grossing over $1.6 billion. With that success, the Jurassic brand was back on top and saw a sequel, Jurassic World: Fallen Kingdom, a hot mess that, despite a mixed critical and audience reception, still came through with over $1 billion. Now, we have reached the sixth and supposed final entry in the Jurassic franchise, Jurassic World Dominion. While not as infuriatingly braindead as Fallen Kingdom, it is still a disappointment this franchise goes out on such a whimper.

After the events of Jurassic World: Fallen Kingdom, which saw Isla Nublar destroyed by a rupturing volcano, dinosaurs are now living freely among areas of the natural world. Four years have passed and there is now a new company, Biosyn, run by CEO Lewis Dodgson — Campbell Scott, cashing a paycheck as the film’s perfunctory villain — set on using dinosaur genetics to expand the scope of pharmaceutical treatments. This plan involves the kidnapping of Maisie (Isabella Sermon), the adoptive daughter to Owen (Chris Pratt) and Claire (Bryce Dallas Howard), and a human clone with DNA critical to Biosyn, as well as Beta, the baby to Raptor, Blue.

Much of Dominion is split between two converging plots. We follow Owen and Claire on their quest to reclaim their adoptive daughter and the baby raptor, and we also follow Dr. Ellie Sattler (Laura Dern) and Dr. Alan Grant (Sam Neil) as they reunite to discover the truth behind Biosyn’s nefarious plans. What began nearly 30 years ago as an adaptation of Michael Crichton’s novel, a story of man’s desire to play god and its repercussions has gone so far down its own rabbit hole. While Dominion wisely moves past plot elements involving militarized raptors, it has instead new plot threads involving human cloning, newly engineered locusts and a random globe-trotting digression to Italy. The story takes ingredients from numerous other films, with the results feeling like a hodgepodge of different story elements that don’t ever really gel together.

Dominion does certainly right some wrongs from Fallen Kingdom. Gone is the subplot of the military wanting to use raptors as weapons, as well as dinosaurs being auctioned off on the black market. Irritable side characters are largely toned down or downright excised from the film completely; see Justice Smith’s character in a blink-and-you’ll-miss-it appearance. There are still some eye-rolling bits of dialogue, such as a character unironically spouting “he slid into my DMs”. Fallen Kingdom does end with the promise of dinosaurs invading everyday life. While Dominion opens with glimpses of that, any sort of dino action on the general public, ala The Lost World: Jurassic Park, is almost completely ignored. In fact, Dominion sidesteps its prehistoric figures for extended periods of time with a bloated 147 minute runtime that could have benefitted from a trim. The missed opportunities here are just baffling. Are you really going to tease your audience with something as cool as a group of Pterodactyls overlooking Las Vegas only to never come anywhere close to that sort of action??

Jurassic World director Colin Trevorrow returns to the directors seat, showing more skill at crafting effective action sequences. From a nighttime chase, to a plane crash, even a fight on a frozen lake; there is certainly ambition behind Jurassic World Dominion. Even if one choppily constructed motorcycle chase through Malta fails to bring much excitement, Trevorrow shows that he is a more-than-capable craftsman. The added emphasis on practical effects compared to the previous two films is often wonderous. It’s a terrific blend of animatronics and CG, that is by far the best use of the three Jurassic World films.

Perhaps the biggest draw of the film, other than the dinosaurs, is the return of the original cast. Sam Neil, Laura Dern and Jeff Goldblum all return together for the first time since 1993. Seeing the actors appear together inevitably manages to catch some sparks, even if there aren’t any particular breakthroughs in their characters. Dominion does, thankfully, sidestep a number of opportunities for cheap nostalgia, keeping overt nods and references to a refreshing minimum. In giving these characters half the screen time does make the newer cast even less interesting than they already were. Chris Pratt’s Owen Grady is the exact same character he was in the first Jurassic World, albeit with a family beside him. This role has never suited Pratt’s strengths as a performer particularly well and the character is even further overshadowed by the more interesting ensemble surrounding him. Bryce Dallas Howard does come through with an affecting character arc, far from the vapid two-dimensional character she portrayed in Jurassic World. It’s a character that has grown to be quite compelling as Howard always gives strong work. As great as it is seeing the original cast back together, as well as interacting with the newer cast of characters, it’s new co-star Dewanda Wise that runs away with the movie; on the human side, at least. Wise has that rare star quality that whenever she’s on-screen, your eyes are immediately glued to her, even when she’s standing alongside the likes of Jeff Goldblum, Laura Dern and Sam Neil.

Despite being billed as the final Jurassic film, there is very little sense of finality to Dominion. As though Universal execs are too wise to take any future installments off the table, there’s little danger here, with Trevorrow and his team playing it safe at almost every turn. Without divulging into detail, there’s little difference between the ending here versus practically every other ending in the franchise.

Jurassic World: Dominion offers some satisfaction and a handful of exciting set pieces. Both sets of casts blend well together and the animatronics are often stunning, but this isn’t strong or memorable enough to stand alongside the original Jurassic Park, or its good sequels, The Lost World: Jurassic Park and Jurassic World. It’s also not bad enough to be slumped alongside the worst of the franchise, such as Jurassic Park 3 and Jurassic World: Fallen Kingdom.