About Defacto Film Reviews
Defacto Film Reviews is a unique site where the film critics are also filmmakers themselves. It will feature weekly reviews as well as lists and more.
Originally formed in 2002 under Defactoweb.com, our website’s chief film critic is Robert Joseph Butler. His top ten lists were featured under Movie City News. His reviews have also been published at Michigan Movie Magazine and on Michigan’s longest running film school website, MPIFilm.com. His reviews have also been featured and published in The Oakland Press as well, which is one of Michigan’s largest newspaper publications.
He later went on to become an award-winning filmmaker of several independent short films including such festival hits as The Spirit of Isabel and Within, which won the Audience Choice Award at the 2015 Cinetopia International Film Festival. His short film “The Girl on the Mat” won Best Screenplay at the 2017 Queens World Film Festival. His most recent feature length movie, “Blood Immortal,” won Best Horror Feature Film at the 24th annual Indie Gathering International Film Festival and is now available to own on DVD and is available on Digital streaming platforms.
Using grassroots support, the site is devoted to celebrating independent and art-house cinema, as well as to high-crafted films that tell engaging stories with vision, focus, and skill.
Defacto Film Reviews is a unique case where the film critics are also filmmakers themselves. We will give readers comprehensible, honest, and erudite analysis of each film.
Rating System–4 Stars





Reviews published in
Spider-Man: Into the Spider-Verse
⭐️⭐️⭐️⭐️ by Ben Rothrock With the rise of live action superhero movies, we often forget the true nature of characters’ comic book origins. We associate our favorite heroes with a more serious environment thanks to [...]
The Favourite
Acclaimed director Yorgos Lanthimos blends a mix of delirious humor with his usual approach of bleakness and despair in this unique period piece that is filed with skillful direction, astonishing visuals, along with effective and [...]
Roma
Depicting a year in the life of a high-class family in 1970’s Mexico told from the perspective of their housemaid, Roma plays like a love letter to the women who raise us. Although motherhood isn’t [...]
Burning
The South Korean thriller "Burning" written and directed by Lee Chang-dong is a masterfully crafted suspense drawer that holds sweltering tension as it unfolds with beguiling mystery. In the era of the Me Too movement, [...]
Mowgli: Legend of the Jungle
⭐️⭐️⭐️1/2 The Jungle Book has been a staple in children’s literature for many decades. Even though the book is comprised of many stories with different characters, the three stories about the young boy Mowgli are [...]
The House That Jack Built
Currently being sanctioned by the MPAA, Lars von Trier's new film is certainly going to stir up controversy among audiences and critics. It is an audacious and deeply disturbing film with a career defining performance [...]
The Possession of Hannah Grace
⭐️⭐️ When it comes to demonic possession, most movies portray the initial effects of said possession. It’s become common place for films to focus on the character and their encounters with an evil force bent [...]
At Eternity’s Gate
Aesthetically impressive to the eye and fragmented by design, artist and filmmaker Julian Schnabels interior exploration of Vincent Van Gogh's final years of his life is a artful, roving, and richly experimental film that avoids [...]
Ralph Breaks the Internet: Wreck-It Ralph 2
by Ben Rothrock In 2012, Disney gave us Wreck-It Ralph; the story of a video game villain who sets out on a journey to prove he can be a hero. One of the best of [...]
The Ten Best Films of 2017
The DeFacto Film Reviews chief film critics, Robert Butler and Noah Damron share their favorite films of the year. As the country continues to be more divisive and polarized everyday than it has in [...]
Blade Runner 2049
Blade Runner 2049 (2017, USA, d. Denis Villeneuve, 163 minutes) 3.5/4 Stars 1982’s Blade Runner has become one of the most polarizing and discussed films of the past several decades. From numerous re-edits [...]
TIFF 2017 Review: I, Tonya
I, Tonya (2017, USA, d. Craig Gillespie, 119 minutes) 3.5/4 Stars Anyone who was alive in the early 90’s remembers the giant scandal involving figure skater, Tonya Harding, and the vicious attack against [...]
TIFF 2017 Review: mother!
mother! (2017 USA, d. Darren Aronofsky, 121 minutes) 4/4 Stars To quote TIFF Artistic Director, Cameron Bailey, mother! essentially begins where Black Swan ends. If that doesn’t intrigue you at all, then this [...]
It
It (2017, USA, d. Andy Muschietti, 135 minutes) After years of delays and production changes, the big screen adaptation of Stephen King’s beloved novel finally makes it way to theaters. In case you [...]
Tulip Fever
Tulip Fever (2017, USA, UK, d. Justin Chadwick, 107 minutes) 1.5/4 Stars Tulip Fever is a hot mess, there’s no way of getting around it. As a film that has sat on the [...]
Dunkirk
Dunkirk (2017, USA, UK, France, d. Christopher Nolan, 106 minutes) 4/4 Stars I feel as though I should begin this review with a bit of a warning. My personal favorite film of all [...]
War for the Planet of the Apes
War for the Planet of the Apes (2017, USA, d. Matt Reeves, 140 minutes) 3.5/4 Stars The modern Apes trilogy has proven that prequels aren’t always a bad thing. In fact, they can [...]
Spider-Man: Homecoming
Spider-Man: Homecoming (2017, USA, d. Jon Watts, 133 minutes) 3.5/4 Stars As someone who fondly remembers seeing the original Sam Raimi Spider-Man film at just five years old, the character of Spider-Man has been a [...]
Logan
Logan (2017, USA, d. James Mangold, 137 minutes) 3.5/4 Stars Since last years smash success Deadpool broke new ground for R-rated Superhero films, it was only fitting to see Hugh Jackman’s final portrayal [...]
Elle
Elle (2016, France, d. Paul Verhoeven, 130 minutes) by Noah Damron This one of the strangest and most compelling films to come out in 2016. Directed by Paul Verhoeven, "Elle” follows, Michelle (Isabelle [...]




















