Film Reviews & Insights
Moonage Daydream
Moonage Daydream is an innovative documentary that emphasizes the myths and rebuilds the legacy of one of rock music's most iconic and artistic songwriters and musicians, we all know as [...]
Clerks III
Right from the beginning of Clerks III, the film opens up just like the beginning of the original Clerks (1994), as we're back at The Quick Shop in its Leonardo, [...]
Barbarian
For moviegoers looking to kickstart the Halloween season, it's unlikely there is a better film to see in the cinema this weekend than Barbarian (Directed by Zach Cregger, Distributed by [...]
Funny Pages
Too mean-spirited and overly subversive for its own good, Funny Pages, Owen Kline's (the son of Kevin Kline and actress Phoebe Cates) feature film directorial debut, is an anti-coming-of-age story [...]
Honk for Jesus. Save Your Soul.
With names such as Jordan Peele and Daniel Kaluuya attached as producers and tons of buzz coming out of Sundance, it's not hard to get to excited at the idea [...]
Burial
World War II is some of the most heavily trodden ground in cinema history. And it can still be fertile ground for storytelling, as the relatively recent Their Finest and [...]
Breaking
Though anchored by good performances, especially by lead actor John Boyega, Breaking is a film which struggles to get its message across. The film has social and societal parallels available, [...]
Three Thousand Years of Longing
The first film since George Miller made a monumental critical and commercial splash with Mad Max: Fury Road just 7 years ago, Three Thousand Years of Longing features all the [...]
Beast
There are very few movies that can be sold entirely on one image. While said image can be an honest reflection of the film itself, it can often be highly [...]
Orphan: First Kill
Rhoda the Bad Seed, Damien, Regan, The Grady Twins, The Children of the Corn and a multitude of others. Creepy children are a long-standing tradition of horror cinema. When Orphan [...]
Fall
Fall is equal parts thrilling and engaging so long as the viewer accepts the type of movie they are watching. Scott Mann’s latest film is a minimalist one with enough [...]