About Defacto Film Reviews
Defacto Film Reviews is a unique site where the film critics are also filmmakers themselves. It will feature weekly reviews as well as lists and more.
Originally formed in 2002 under Defactoweb.com, our website’s chief film critic is Robert Joseph Butler. His top ten lists were featured under Movie City News. His reviews have also been published at Michigan Movie Magazine and on Michigan’s longest running film school website, MPIFilm.com. His reviews have also been featured and published in The Oakland Press as well, which is one of Michigan’s largest newspaper publications.
He later went on to become an award-winning filmmaker of several independent short films including such festival hits as The Spirit of Isabel and Within, which won the Audience Choice Award at the 2015 Cinetopia International Film Festival. His short film “The Girl on the Mat” won Best Screenplay at the 2017 Queens World Film Festival. His most recent feature length movie, “Blood Immortal,” won Best Horror Feature Film at the 24th annual Indie Gathering International Film Festival and is now available to own on DVD and is available on Digital streaming platforms.
Using grassroots support, the site is devoted to celebrating independent and art-house cinema, as well as to high-crafted films that tell engaging stories with vision, focus, and skill.
Defacto Film Reviews is a unique case where the film critics are also filmmakers themselves. We will give readers comprehensible, honest, and erudite analysis of each film.
Rating System–4 Stars





Reviews published in
Arcadian
Arcadian, a post-apocalyptic horror film, featuring Nicolas Cage in a (mostly) subdued role and performance, owes a lot to other films of this ilk. There are elements of M. Night Shyamalan’s work, along with A [...]
Sting
The killer animal subgenre of horror has been on a relatively steady decline recently, and creature features in general, except for some blockbusters, including The Meg, Beast, and Jurassic Park. So, amongst a slew of [...]
The Old Oak
The Old Oak, the latest, and possibly the final film, from legendary director Ken Loach, is as vital, stirring, somber, and clear eyed as the rest of his work. Concentrating on a nearly extinct northern [...]
Civil War
An often terrifying and harrowing experience of a not-so-distant future in which fascism and nationalism (I think) wrap themselves in patriotism and two different America's are at war, writer-director Alex Garland's (Ex-Machina, Annihilation) Civil War [...]
La Chimera
Shades of Italian neo-realism, magical realism, and silent movies are on full display in La Chimera, a moving, observed comedic period drama centered on a Tuscany village that discovers Etruscan artifacts in the 1980s. Strong [...]
Wicked Little Letters
“We worship a messiah who suffered, so by suffering, don’t we move closer to Heaven?” “...No, I don’t think so.” This exchange, between the devout Edith Swan (Olivia Colman) and her father Edward (Timothy Spall), [...]
Scoop
Scoop, from director Philip Martin, seems to want to be She Said, but fails to spark anywhere near the level of excitement, interest, importance or gravity of that earlier film. While the cast is fine, here, [...]
Monkey Man
There is no doubt that John Wick's dynamic, revenge-fueled action odyssey alongside international martial arts spectacles, including The Raid and Ong Bak, have together metamorphized a once-stagnant genre into something that continues to shock, awe, [...]
The First Omen
Religious horror is going through a bit of a boom at the moment. From last month's sleeper success, the Sydney Sweeney-starring/produced Immaculate, and now this prequel to the 1976 classic The Omen, the genre has [...]
The Listener
The Listener, from director Steve Buscemi, is an unusual film in the sense that it has only one onscreen character, a woman calling herself “Beth” who works for an unnamed company, where various, and random, [...]
Coup de Chance
Familiar elements, themes, and plot mechanics go full circle in Woody Allen's Coup de Chance, a compelling study of a love affair in crises that expands on familiar Woody Allen themes dating back to his [...]
The Beast
Both art-house and high-minded sci-fi aficionados will find common ground for watching the thought-provoking and ambitious The Beast. French actress Léa Seydoux continues to prove she's an actress of great emotional range and versatility (especially [...]
Problemista
The endlessly screwed-up immigration and economic exploitation that make the American immigration experience challenging are on full display in Problemista. Writer-director and co-star Julio Torres creates a messy, uneven piece of work, capturing the struggling [...]
The Truth vs. Alex Jones
The Truth vs. Alex Jones, an HBO release, which debuted at South by Southwest on March 11, 2024, is the latest in a long line of strong HBO documentaries, including the Spike Lee works, 4 [...]
Godzilla x Kong: The New Empire
Winter may still be an annoying pest here in Michigan, but big blockbusters like Godzilla x Kong: The New Empire are a telltale sign of the arriving spring and summer seasons. At this point, the [...]
Dogman
The French director Luc Besson (Leon: The Professional, The Fifth Element) is one of the more idiosyncratic film makers working in mainstream movies. His latest work, Dogman, is another unusual flight of fancy, with style, [...]
1994 Retrospective: The Best Films of 1994
The year 1994 was undeniably a remarkable year for cinema. It was also the year I started to get into film. Even at age 12, my parents were kind enough to get me my own [...]
Exhuma
Exhuma, the new film from South Korean director Jang Jae-hyun is a film of many parts, but two halves, and both offer a lot to viewers, though how much depends on what brand of horror [...]
Road House (2024)
Director Doug Liman (Swingers, Go, The Bourne Identity) does not have a track record that indicates he would know better than to have remade Road House, the 1989 cult classic starring the late Patrick Swayze. [...]
Immaculate
The newest religious horror film on the block is pretty respectable, but its sin is failing to do enough to stand out in a highly competitive modern cinematic landscape. The movie in question is director [...]




















