About Defacto Film Reviews
Defacto Film Reviews is a unique site where the film critics are also filmmakers themselves. It will feature weekly reviews as well as lists and more.
Originally formed in 2002 under Defactoweb.com, our website’s chief film critic is Robert Joseph Butler. His top ten lists were featured under Movie City News. His reviews have also been published at Michigan Movie Magazine and on Michigan’s longest running film school website, MPIFilm.com. His reviews have also been featured and published in The Oakland Press as well, which is one of Michigan’s largest newspaper publications.
He later went on to become an award-winning filmmaker of several independent short films including such festival hits as The Spirit of Isabel and Within, which won the Audience Choice Award at the 2015 Cinetopia International Film Festival. His short film “The Girl on the Mat” won Best Screenplay at the 2017 Queens World Film Festival. His most recent feature length movie, “Blood Immortal,” won Best Horror Feature Film at the 24th annual Indie Gathering International Film Festival and is now available to own on DVD and is available on Digital streaming platforms.
Using grassroots support, the site is devoted to celebrating independent and art-house cinema, as well as to high-crafted films that tell engaging stories with vision, focus, and skill.
Defacto Film Reviews is a unique case where the film critics are also filmmakers themselves. We will give readers comprehensible, honest, and erudite analysis of each film.
Rating System–4 Stars





Reviews published in
Swan Song
As technology and conceptual designs begin to flourish in this day and age, ideas that were once seemingly outlandish have become theoretically possible. Benjamin Cleary plays with these ideas in his new Apple TV original [...]
Red Rocket
Sean Baker has done it once again by remarkably delivering another raw and authentic character study related to American subculture and exploration of socio economics, Red Rocket shakes up the dark comedy genre to refreshing [...]
Licorice Pizza
Deeply moving, highly engaging, and technically brilliant, Paul Thomas Anderson’s ninth feature, Licorice Pizza, is the most enthralling and thrilling film to be released this year. A chronicle of first love in Southern California circa [...]
The Matrix Resurrections
2021 marks a resurgence for many franchises, but like many, they aren't quite as brilliant as before. The same can be said for The Matrix Resurrections, the welcome sequel to the iconic 1999 sci-fi action [...]
The Hand of God
Considerably scaled down in scope and visual energy from his previous Oscar nominated existential films, The Great Beauty and Youth, Paulo Sorrentino's The Hand of God is an artfully crafted and deeply personal coming-of-age-story that [...]
Spider-Man: No Way Home
Not since The Force Awakens and Avengers: Endgame has Hollywood gone into such spoiler lockdown mode, and for good reason. Revealing anything beyond what's featured in the marketing would not only come with the threat [...]
Nightmare Alley
In a far darker return to more macabre terrain after his Oscar win for The Shape of Water, Guillermo del Toro still finds his footing in genre filmmaking in the thrilling Nightmare Alley. Adapted from [...]
Being the Ricardos
Though Lucille Ball and Desi Arnaz's stardom has faded in the 30 years since their deaths, Aaron Sorkin's biopic casts the late, iconic duo with some marital dynamics under the bright lights of show business. [...]
Don’t Look Up
Messy, overlong but also deeply satirical, Don't Look Up plays like an extended SNL skit. Adam McKay's follow-up to Vice, and his most satirical political film yet, amounts to a take action cry of "Americans, [...]
France
Brimming with confident craftsmanship, cynicism, satire, and dramatic weight, Bruno Dumont's ferocious France views France's political climate and mass media through its anti-hero, a French reporter named France (Lea Seydoux), who manipulates the truth and [...]
West Side Story
Steven Spielberg has previously dabbled in the visual rhythms of musical theater -- see the opening of Temple of Doom for a prime example -- but has never made a full fledged musical. His adaptation [...]
Bruised
Oscar-winner Halle Berry pulls double-duties as director/star in her directorial debut Bruised, a Rocky wannabe that struggles to offer much in terms of nuance or truth in a tired, overlong sports drama. Jackie Justice (Halle [...]
Drive My Car
A chronicle of grief, healing, and the power of the creative process are all familiar themes we have seen numerous times before, but rarely are they executed with the delicateness, resentment, tenderness, and hope that [...]
Benedetta
A provocative and subversive condemnation of dogmatic oppression that is undercut by an overstuffed screenplay and an over-the-top third act with overripe melodrama is all found in Paul Verhoeven's (Robocop, Starship Troopers, Elle) latest feature [...]
Encanto
This year has been on the low side of animated films, featuring only a few somewhat memorable entries such as Raya and the Last Dragon, Luca, and The Addams Family 2. It has certainly been [...]
Procession
As a trigger warning, this review will cover a documentary purely focused on sexual abuse and assault. Procession, a documentary following a small group of sexual abuse survivors by their own catholic priests, looking to [...]
The Souvenir: Part II
Artistically speaking, The Souvenir: Part II is to The Souvenir what The Godfather: Part II was to The Godfather: a masterful follow-up to an essential masterpiece that is equally great, if not stronger. As written [...]
Resident Evil: Welcome to Raccoon City
After six films spanning over 15 years, the Resident Evil film franchise, spearheaded by writer/director Paul W.S. Anderson and star Milla Jovovich reached their designated "Final Chapter", the decision was made to hit the reset [...]
C’mon C’mon
C'mon C'mon, the fourth feature by Mike Mills, represents his most successful film yet, whose often colorfully quirky films and eccentric films have often proved to be overly precious and over directed. Returning to themes [...]
The Power of the Dog
The Power of the Dog is a brilliant, oblique adaptation of Thomas Savage's 1967 novel of the same name. Reinforced by an unpredictable premise, superlative performances, a modern view of weaponized masculinity in the dying [...]




















